Thursday, April 15, 2010

About Schmidt (2002)

Cast:  Jack Nicholson (Warren Schmidt), Kathy Bates (Roberta Hertzel), Hope Davis (Jeannie Schmidt), Dermot Mulroney (Randell Hertzel), Howard Hesseman (Larry Hertzel)

Director: Alexander Payne

Genre: Drama/ Comedy


Loneliness is a genuine problem that can plague the most unexpected of people. Quite often, the most unlikely of subjects can suffer from it. Charles Chaplin is the first person to come to mind. It gnawed at him terribly. *Isaac Newton, Abraham Lincoln, Beethoven, and even Brooke Shields all wafted through the realm of loneliness. Winston Churchill called his loneliness, "black dog."

Perhaps the worst part about loneliness is that often times, no one else can tell. It's like being forced to have unnecessary surgery. You don't want it to happen. When you wake up, you don't know what you just went through and something important feels missing. You're the same after. All there is, is a hole with stinging cold air pushing through. And there's nothing you can do about it.

No one could tell of Warren Schmidt's utter loneliness in this movie. It was a very relatable essence of the film.

Jack Nicholson's character was absolutely impressive. It was such a different role for him that I must applaude his successful attempt at doing something not on the same basis as his other roles such as Jack Torrance from The Shining, the Joker from Batman, Col. Nathan R. Jessep from A Few Good Men, and J.J. Gittes from Chinatown. He captured a completely human element so well!

Based on the book About Schmidt by Louis Begley, Warren Schmidt has just entered the world of retirement after working for an insurance company for many years. He takes up the latent life with his unfulfilling marriage and the disappointment that his only daughter is about to marry a guy named Randell- a waterbed salesman who comes up as nothing short of a complete dud whom Warren deems unworthy of his daughter. All in all, he begins his retired life just as dependent on his wife, Helen, as he always was- with some unwillingness to be dependent.

Retired life turns bad on innocent Warren after Helen suddenly dies of a cerebral blood clot. When the smoke has cleared from the funeral, Warren becomes completely aimless inside the walls of his life. And, sadly, the only person willing to listen to Warren is a young child named Ndugu in Tanzania whom Warren chose to sponsor through a charitable organization advertized on television.

After discovering that his best friend had a short lived romantic involvement with Helen years before, he tries to separate himself from his emotional attachment to his wife by taking a road trip in a camper he had bought for a retirement trip he and Helen had planned. He packs up for Denver in order to spend time with his daughter and help with the wedding arrangments. His daughter declines the offer and Warren decides to just take his time on the road and visit places important to him, before arriving in Denver. All the while, he keeps writing to young Ndugu, sharing his thoughts, troubles, happiness, and sorrows. He shares his experiences in sorrow in loosing Helen, his disagreement towards his daughter’s engagement, his lack of enthusiasm in meeting his future son-in-law’s family in Denver, and all the interesting things he witnesses on the road.

This movie was, hands down, one of the most realistic touching films I have ever seen. I think Nicholson was supreme for the role. Warren does his best to touch those around him, but those around him only look at Warren and see what their expectations allow.

Kathy Bates's supporting performance brought some comic relief to the picture. The bluntness in her character was a perfect, complimenting contrast to the silent, melancholic demeanor of Warren. Some of her topics for conversation were rather on the cautious side, such as in the scene where she abruptly discusses with Warren the love life between her son and his daughter.

One problem I had with the movie was the scene with Warren soaking in a hot tub after sleeping on one of the Hertzel’s water beds causes his back to go out. When Roberta Hertzel (Kathy Bates) decides to join him, she removes her bathrobe nonchalantly, wearing nothing underneath. It was certainly an emphasis to the uncomfortable element of the scene, but was really unnecessary.

The ending scene wasn’t too overdone as I expected it would be. The movie offers much to its audience. I sure hope this is a film that Nicholson will be remembered for in years to come.

Often times, actors and actresses end up playing the same type of roles. When they try a different act, it doesn’t always work so well. Not so with Nicholson here. He is a rare actor who pulled it off!

(I particularly liked film critic Roger Ebert's review of About Schmidt for the Chicago Sun Times. You can read it here by clicking on the follow link: About Schmidt- Roger Ebert)


*http://www.butler.org/body.cfm?id=278
** Click on link

Friday, April 09, 2010

Howard the Duck (1986)

Cast: Lea Thompson (Beverly Switzler), Jeffery Jones (Dr. Walter Jenning), Tim Robbins (Phil Blumbertt), Ed Gale (Howard T. Duck), Chip Zien (Voice of Howard T. Duck)

Director: Willard Huyck

Genre: Science fiction/ Comedy


This movie had quite a bit of involvement. It also has to be the biggest blush for executive producer, George Lucas. Whether it’s just as bad as his Ewok Adventures is debatable.

Howard was based off of a comic book, created in the 1970’s by Steve Gerber and Val Mayerik for Marvel Comics. The comic featured a personified, irritable duck named Howard from “Duckworld” who's trapped on earth after science experiment on earth dragged him from his home planet.

I’m sure the reader see’s where this is going.

The movie takes it from there. After Howard lands on earth, he discovers he is in a strange place called Cleveland. Surprisingly, Cleveland is very similar to his own world. Howard is befriended by Beverly, the lead singer for a girl rock band, the Cherry Bombs. To try and find out how Howard ended up in Cleveland and how he can get back home, Beverly takes him to her friend Phil who works in a natural history museum.

As Phil consults with his superiors, Howard does his best to fit into human society despite his short, feathered, and duck billed appearance.

All the while, the same experiment that inadvertently dragged Howard
from Duckworld, also inadvertently dragged dark overlords of the universe to earth. One of those overlords has taken residence inside the body of Phil’s superior scientist, Dr. Jenning. The possessed Jenning ends up kidnapping Beverly so the other overlords can have a body to inhabit when he brings them to earth. This fiasco occurs after a strange tirade the alien-possessed Jenning has in a truck stop diner. Howard and Phil must now save Beverly and prevent the overlords from entering the atmosphere.

The movie hit the fan right at the start with its ridiculous and poor attempt at a philosophical, perhaps theological, opening narrative. It was just plain terrible. It didn't fit at all with the picture.

The duck costume wasn't too bad. Its motions and realism were alright. Some of the jokes were amusing but that wasn’t enough to save this film. Niether was throwing in such stars as Jeffrey Jones (Amadeus), Lea Thompson (Back to the Future I, II, III), and Tim Robbins (Shawshank Redemption).That still didn't redeem this picture.

I can’t even say, despite the large number of people who worked on this movie and the amount of money that went into it, that it was a good effort. There was no effort. I wonder if the producers needed a hit and had to come up with something fast. The story reminds me of something a college student would haphazardly pen out as an assignment on the night before its due. The idea should have stayed on the pages of the comic books. Some story ideas just are not meant to be and this film was no exception.

The middle of the movie just got desperate for more involvement. The movie started off ridiculous and it didn’t get any better as the story moved along.  The scene with Beverly coming onto Howard was especially disturbing and rather bold, I must say! It totally destroys what little human emotion the movie had to begin with while trying to appeal to the most debase humor a person can have.

Howard the Duck has been left to the enjoyment of 80’s “geeky flicks” fans. It has come, but it hasn’t really gone away completely. I’m sure George Lucas wishes it would.